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Two scarce English translations of Italian devotional works, bound together in an attractive seventeenth century binding. Giovanni Bona was a Cistercian cardinal from Northern Italy known for his scholarship and simple manner of life. The first work in this volume is his Manuductio ad coelum, first published in 1658 and first translated into English in 1672. It has often been compared to Thomas a Kempis’ Imitation of Christ, on account of the simplicity of the style in which the doctrine is explained. It was a hugely popular work, seeing a dozen editions by the end of the century and being translated into Italian, French, German, Armenian and Spanish as well as English. The second work in the volume is a translation of Bona’s Principia et documenta vitae Christianae, a comparable work which focuses on the principles of Christian conduct. The translation is usually ascribed to Luke Beaulieu.
The first work has an additional title-page, engraved, ‘Manuductio ad coelum, or a guide to eternity’, by Frederick Hendrick van Hove (1629?-1698). The second work has an engraved frontispiece depicting Christ during his passion, also by F. H. van Hove.

A superbly bound copy of two scarce religious works, with an illustrious provenance. Originally bound for the Cardinal Giuseppe Maria Doria Pamphili (1751-1819) with his arms gilt on both covers. Pamphili was apostolic nuncio in France between 1773 and 1785 and was later Secretary of State for the Holy See. In the nineteenth century, it passed into the library of the major Roman family of the Colonna, who were related to the Doria Pamphili.
The priest and doctor of law Marc-Albert de Villiers was the author of at least four pamphlets blending Christian philosophy, theology and canon law. Both works in this volume are concerned with marriage. The first is a defence of clerical celibacy, against the ‘libels full of the most horrible impieties, the grossest obscenities and the greatest hate towards the Christian and Catholic religion’. The second is a critique of J.-P.-F. de Ripert-Monclar’s Mémoire...sur les mariages clandestins des protestants en France, 1750, which advocated the legalisation of Protestant marriages. He was especially opposed to Protestants who feigned conversion to Catholicism just to be allowed to marry Catholics, returning later to their Protestant convictions.

The dedication copy, beautifully bound for Prince Giovanni Battista, a member of the prominent Roman family of the Altieri, among whose members was Pope Clement X. The first of these two dissertations, written by the Franciscan Bernardino Mezzadri, discuss the history of the Church and defending it against the theories of the Jesuit, Franciscus Pagius. The second dissertation discusses the life, death and miracles of the martyrs Cosmas and Damian. A long section is devoted to the Roman basilica dedicated to them, details of which are illustrated in two handsome folding plates.

An important plea for religious tolerance based on the study of demographics and the writings of Malthus. Following the revocation of the Edict of Nantes in 1685 and the persecution of protestants, the mass exodus of some 8% of the population had far-reaching consequences. About 100,000 French people left the country, exporting about 60 million livres, which had crippled French commerce, at the same time as augmenting foreign economies and armies. Turmeau de la Morandière stresses the cumulative dangers arising from this depopulation and concludes that the revocation itself was ‘trop étendu, trop sévère, trop précipité dans certaines de ses dispositions’, that it led to hardship in France and prosperity in England, Germany and Holland (I., 157). He argues that the only remedy for France is to adopt a policy of religious tolerance and to allow the protestants to return to France. His reasoning is economic more than humanitarian and is based principally on an an assumed link between increase in population and economic prosperity.
Turmeau de la Morandière is also credited with a rare treatise on the prostitutes of Paris, Réprésentations à Monsieur le lieutenant général de police de Paris [Antoine de Sartine] Sur les courtisanes à la mode & les demoiselles du bon ton, Paris, ‘Impr. d’une Société de gens ruinés par les femmes’, 1760. His focus in this treatise is with the demographic problems of begging, homelessness and prostitution in France. His other works include Police sur les mendians, les vagabonds, les joueurs de profession, les intrigans, les filles prostituées, les domestiques hors de maison depuis long-tems, & les gens sans aveu, Paris, Dessain Junior, 1764 and Appel des étrangers dans nos colonies, Paris 1763 (reprinted 1973).
The first edition was published in Paris by Valleyre in the same year. To begin with it was published anonymously but the author’s name was added at some point in the printing process and copies exist with the author’s name in the either or both volumes. This Amsterdam edition is anonymous in both parts. Cioranescu lists only a later edition of 1768.

An exquisitely bound copy of the ‘horae’ of the Virgin Mary, once in the library of the great Neapolitan collector, bibliophile, bookseller and bookbinding scholar, Tammaro de Marinis (1878-1969).
It was printed by Giovanni Maria Salvioni (1676-1755), who was in charge of the Vatican Press from 1717. The elegant binding was probably produced after the style of the Salvioni workshop, known for its use of painted edges - ‘a revival of a form of decoration unknown in Rome since the reign of Pius V’, who died in 1572 (Hobson, French and Italian Collectors and Their Bindings, p.190). In it, the gilt and lavishness of the Roman fashion merges with the charming modesty of provincial workshops.
The ‘Uffizio’ includes a calendar of mobile feasts and saints’ days, instructions on recitation, the psalm, readings and hymns for each hour of the day during the liturgical year, followed by the Office of the Dead, the Seven Penitential Psalms and others prayers and orations. Although it was originally intended for the religious, lay people were also encouraged to devote part of their day to the recitation of the ‘horae’ to the Virgin Mary. The handsome engraved illustrations in this edition, both delightful and useful as aides-mémoire, were produced by Arnold Westerhout, Joseph Passarus and J. Hieronymus Frezza. They portray key scenes from the Old Testament, such as Adam and Eve being banned from Eden (in the frontispiece), and scenes from the life of the Virgin.