Search

Criteria:
  • Tag = Continental Books
  • CHEVRIER, François-Antoine de (1721-1762).
    Testament Politique du Maréchal duc de Belle-Isle. Paris, aux dépens des Libraires associés, 1762.

    Small 8vo, (154 x 87mm), pp. v [ie viii], 184, in contemporary Germany speckled calf, spine gilt in compartments with black morocco label lettered in gilt, covers gilt with heraldic arms and lettered ‘AWGVDS’, with the elegant heraldic bookplate of Achatz Wilhelm, ReichsGraff von der Schulenburg, marbled endpapers.

    An attractive copy in a German heraldic binding of these popular apocryphal memoirs, first published in Amsterdam in 1761. Charles Louis Auguste Fouquet, duc de… (more)

    An attractive copy in a German heraldic binding of these popular apocryphal memoirs, first published in Amsterdam in 1761. Charles Louis Auguste Fouquet, duc de Belle-Isle (1684-1761) was the grandson of the famous finance minister to Louis XIV. Chevrier’s work was hugely popular, running to many editions in French and being translated into English as The Political Testament of the Marshal Duke of Belle Isle, London 1762. The subjects covered include taxation, commerce, law, imports, the celebacy of priests and luxury. Chapter Five (pp. 97-101) is about the history of the young pretender and the Stuarts. ‘Je vois, avec douleur, que tous les Princes de la Maison de Stuard ont mérité l’horreur de leur situation par foiblesse, ou par nonchalance, & je pense qu’il faut regarder cette Maison comme éteinte, par le découragement de celui qui seul peut la relever’ (p. 102).

    OCLC lists BL, Cambridge, NLS, Yale, College of the Holy Cross, Princeton and Syracuse.

    See Cioranescu 19479; Einaudi, 1076; Goldsmiths, 9713; INED, 379; Higgs, 2627

    View basket More details Price: £500.00
  • DIDEROT, Denis (1713-1784).
    Traité du Beau. [with: De la Philosophie des Chinois.] Amsterdam, ie Paris, 1772.

    12mo (164 x 90 mm), pp. [ii], 3-118, [2], 121-180, corner torn from final page and restored, not touching text, occasional browning in text, in modern green vellum with new endpapers, spine lettered in gilt, red edges, from the library of Claude Lebédel.

    Two important articles written by Diderot for the Encyclopédie and bound here in modern green vellum. The first article in the volume was originally entitled… (more)

    Two important articles written by Diderot for the Encyclopédie and bound here in modern green vellum. The first article in the volume was originally entitled ‘Beau’ in the Encyclopédie (tome II, 1751) and this is the first appearance under this title and the first printing of both essays outside the Encyclopédie.
    In this key work on aesthetics, Diderot discusses many writers - Crouzas, Hutcheson, Wolf - but acknowledges a superior debt to Yves-Marie André, who has ‘most furthered the understanding of this subject... and formed the truest and most solid principles’. Diderot echoes André’s work when he explores the relationship between feeling and beauty: ‘But tell me, is a thing beautiful because it pleases, or does it please because it is beautiful? There is no problem; it pleases because it is beautiful’. Diderot’s essay brings together his first-hand knowledge of artists and their work (learnt from friends like Chardin and Falconet as well as from his experience as critic of the Salons), with a broader moral and civic aesthetic in which art becomes an instrument of social change.
    Diderot’s essay De la philosophie des Chinois was the second of two entries on China supplied by Diderot for the Encyclopédie. The first one, ‘Chine’, concentrated on the known facts and merits of China and its culture. By contrast, this essay was a virulent attack both on the Jesuits and on the idolatry and superstitions of the Chinese. Criticising the Sinophilia prevalent in France at the time, Diderot argues that much of what was praised about Chinese culture was based on unreliable translations and he presents in its place a poor picture of an idle, idolatrous and uncivilised nation.
    Traité du beau and De la philosophie des Chinois were first reprinted as part of the third volume of the first collected edition of Diderot’s works, Œuvres philosophiques et dramatiques, Amsterdam 1772, from which these two titles have been taken. Given the modern binding, it is impossible to know if it was originally bound and offered for sale separately or if it was extracted more recently. Adams notes that individual volumes of this six volume collected works as well as works within the volumes were frequently offered separately.
    ‘On trouve souvent imprimés à part les volumes de cette édition, qui furent mis en vente tels quels à l’époque, sans le faux-titre et le titre général et avec le titre particulier seulement. Parfois, les œuvres dont se composent certains volumes furent également détachés et mises en vente’ (Adams, I, p.84).
    Adams also notes a German translation of De la philosophie des Chinois by Johann Jakob Engel which was published in Philosophische Werke des Herrn Diderot, Leipzig, 1774.

    Adams, Bibliographie des œuvres de Denis Diderot, A1 (3).

    View basket More details Price: £250.00
  • Uffizio della B.V. Maria. Per tutti i tempi dell’anno coll’uffizio de’ morti, della SS. Croce, e dello Spirito Santo: by [CATHOLIC CHURCH].
    [CATHOLIC CHURCH].
    Uffizio della B.V. Maria. Per tutti i tempi dell’anno coll’uffizio de’ morti, della SS. Croce, e dello Spirito Santo: e co i Sette Salmi Penitenziali, ed altre divotissime Orazioni. Rome, Vatican Press [Giovanni Maria Salvioni], 1725.

    Two parts in one volume, 8vo (198 x 128 mm), second with separate title-page and continuous pagination, engraved frontispiece by Arnold Westerhout after Joseph Passarus and pp. [32], 336, [xxxviii], [2], printed in red and black throughout, engraved printer’s device on title-pages, 14 engraved plates by Jo. Hieronymus Frezza after Joseph Passarus, engraved tailpieces and woodcut initials, slight browning and light marginal dampstaining to first four gatherings and a handful of other leaves, including blank margins of frontispiece and first plate, verso of last leaf a bit soiled, in crimson morocco, covers bordered with gilt chain roll and feather and star roll, with gilt urns to corners, spine gilt in compartments, pink and blue marbled endpapers, all edges gilt, gauffered and painted in red and green to a floral pattern, green silk marker, extremities a little bumped, a trifle dusty, ownership inscription of Tammaro de Marinis pencilled on front endpaper.

    An exquisitely bound copy of the ‘horae’ of the Virgin Mary, once in the library of the great Neapolitan collector, bibliophile, bookseller and bookbinding scholar,… (more)

    An exquisitely bound copy of the ‘horae’ of the Virgin Mary, once in the library of the great Neapolitan collector, bibliophile, bookseller and bookbinding scholar, Tammaro de Marinis (1878-1969).
    It was printed by Giovanni Maria Salvioni (1676-1755), who was in charge of the Vatican Press from 1717. The elegant binding was probably produced after the style of the Salvioni workshop, known for its use of painted edges - ‘a revival of a form of decoration unknown in Rome since the reign of Pius V’, who died in 1572 (Hobson, French and Italian Collectors and Their Bindings, p.190). In it, the gilt and lavishness of the Roman fashion merges with the charming modesty of provincial workshops.
    The ‘Uffizio’ includes a calendar of mobile feasts and saints’ days, instructions on recitation, the psalm, readings and hymns for each hour of the day during the liturgical year, followed by the Office of the Dead, the Seven Penitential Psalms and others prayers and orations. Although it was originally intended for the religious, lay people were also encouraged to devote part of their day to the recitation of the ‘horae’ to the Virgin Mary. The handsome engraved illustrations in this edition, both delightful and useful as aides-mémoire, were produced by Arnold Westerhout, Joseph Passarus and J. Hieronymus Frezza. They portray key scenes from the Old Testament, such as Adam and Eve being banned from Eden (in the frontispiece), and scenes from the life of the Virgin.

    OCLC lists a handful of copies in Italy, and V&A, Harvard and Brown.

    View basket More details Price: £2,400.00
  • [BODONI]. DELLA TORRE REZZONICO, Carlo Gastone (1742-1796). DAFNEIO, Dorillo, pseud.
    Versi sciolti e rimati di Dorillo Dafneio. Parma, Stamperia Reale, 1773.

    First edition. 8vo (208 x 135 mm), pp. [ii], [viii], 137, [1], lacking the final blank as usual, including engraved title with carved marble stone surrounded by garlands and an urn, small engraved head- and tailpieces, lower edges uncut, light ink marks to H7-8 and G5-6, occasional very slight marginal spotting, K1 unobtrusively strengthened at gutter, bound in contemporary block-stamped plain paper boards with olive-green zig-zag pattern, stitched as issued, a bit faded (old water stain) towards foot of spine, extremities a little worn.

    A scarce and delightful work by the prolific Della Torre Rezzonico, writing under the pastoral pseudonym of Dorillo Dafneio. Produced at the press of Giambattista… (more)

    A scarce and delightful work by the prolific Della Torre Rezzonico, writing under the pastoral pseudonym of Dorillo Dafneio. Produced at the press of Giambattista Bodoni (1740-1813), this is one of numerous occasional publications, adorned with handsome engraved typographical ornaments, which he printed at the Royal Press of Duke Ferdinand of Parma and the Archduchess of Austria, Maria Amalia. Count Carlo Gastone dell Torre di Rezzonico was the darling of Roman society, a member of the Roman Accademia dell’Arcadia and a fashionable and accomplished poet, amateur musician and the organiser of legendary court parties. The philosophical, ornate verse in this collection, dedicated to Ferdinand and Maria Amalia, was typical of the Count’s activity at the court of Parma; for this work he was appointed chamberlain and colonel.

    Worldcat lists BL, Northwestern, Case Western, SMU, UCLA and St Catherine.

    Brooks 40; Cicognara 1343. Not in De Lama.

    View basket More details Price: £850.00
  • RODELLA, Giovanni Battista (1724-1794).
    Vita Costumi e Scritti del Conte Giammaria Mazzuchelli, Patrizio Bresciano. Brescia, Bossini, 1766.

    First Edition. 8vo, engraved portrait frontispiece and pp. [iv], 5-120, title-page vignette, in contemporary vellum, a little bit dusty and stained but sound and internally a clean and crisp copy, red morocco label lettered in gilt, with the contemporary inscription ‘1767 di Faustino Gussago’, all edges marbled.

    First edition of this comprehensive biography and bibliography of Giammaria Mazzuchelli (1707-1765). He is mostly remembered for his vastly ambitious work, the Scrittori d’Italia, 1753-1763,… (more)

    First edition of this comprehensive biography and bibliography of Giammaria Mazzuchelli (1707-1765). He is mostly remembered for his vastly ambitious work, the Scrittori d’Italia, 1753-1763, which, though it only extended to the first two letters of the alphabet, was widely praised for its biographical and bibliographical detail. In addition to his work as literary historian, Mazzuchelli was also an important cultural figure, as is clear from the list of his correspondents, which include Carli, Beccaria, Belgrado, Maffei, Muratori, Volpi and Tiraboschi. For a Brescia printing, it is also worth noting that Mazzuchelli was the founder of the Academia Mazzuchelliana, the Brescia literary society.

    OCLC and RLIN list copies at Oxford, Göttingen, Stanford, Berkeley, Newberry, Illinois, Harvard and Duke.

    View basket More details Price: £700.00
  • Voyage au Monde de la Lune, by GODWIN, Francis (1562-1633).BAUDOIN, Jean, (1564-1650), translator.
    GODWIN, Francis (1562-1633).
    BAUDOIN, Jean, (1564-1650), translator.
    Voyage au Monde de la Lune, Découverte par Dominique Gonzales, Avanturier Espagnol, surnommé, Le Courier Volant. Traduit nouvellement de l’Espagnol. Paris, Antoine de Heuqueville, 1731.

    Third Edition in French. 12mo (156 x 90 mm), pp. [iv], 5-68, [2] approbation & privilège, [2] advertisements, in modern calf, spine gilt.

    A scarce edition of Jean Baudoin’s popular translation of Godwin’s ground-breaking science fiction fantasy, The Man in the Moone, London, 1638. Baudoin’s translation was first… (more)

    A scarce edition of Jean Baudoin’s popular translation of Godwin’s ground-breaking science fiction fantasy, The Man in the Moone, London, 1638. Baudoin’s translation was first published under the title L’homme dans la lune, ou le voyage chimérique fait au monde de la lune nouvellement descouvert, par Dominique Gonzalez, adventurier espagnol, autrement dit le Courrier volant, Paris 1648. Godwin’s work is important not only as an early interplanetary voyage with a utopian description of the society on the moon but also for its interpretation of the astronomical theories of Copernicus and Kepler. in this French translation, it was also a key inspiration for Cyrano de Bergerac’s Histoire comique contenant les Etats et Empires de la Lune, Paris 1657.
    Originally published posthumously and anonymously, the work is written in the first person by the protagonist, a Spaniard called Domingo Gonzalez, who is forced to feel Spain after killing a man in a duel. In the course of his travels, he develops a flying machine powered by a species of wild swan. In attempting to escape from hostile natives, Gonzalez flies higher and higher and eventually, after a flight of twelve days, reaches and lands on the moon, where he discovers a society of tall, peaceful Christians called the Lunars. Gonzalez spends six months living in this peaceful Utopian society, before returning to earth in his swan-powered flying contraption and passing on his remarkable adventures to the Jesuits.

    See Cioranescu XVII, 10464; Versins p. 32.

    OCLC lists BN copy only.

    View basket More details Price: £400.00
  • Zadig, by VOLTAIRE, François Marie Arouet de (1694-1778).
    VOLTAIRE, François Marie Arouet de (1694-1778).
    Zadig, ou la Destinée, Histoire Orientale par Mr. de Voltaire. Londres, G. Sidney for Polidori, 1799.

    First Polidori Edition. 24mo, (123 x 70 mm), engraved frontispiece portrait and pp. [iii], 4-204, with thirteen further engraved plates, bound without the terminal colophon leaf, the plates with small impression within wide borders, slightly foxed, in contemporary red morocco, single filet gilt to covers, flat spine gilt in compartments, lettered in gilt, rubbed at extremities and along the edges, some light staining, marbled endpapers, with the armorial bookplate of ‘Belper’ and the inscription of John Beaumont

    A scarce illustrated edition of Voltaire’s philosophical novel, printed in London for Gaetano Polidori (1764-1853), father of John William Polidori and grandfather of Dante Gabriel… (more)

    A scarce illustrated edition of Voltaire’s philosophical novel, printed in London for Gaetano Polidori (1764-1853), father of John William Polidori and grandfather of Dante Gabriel and Christina Rossetti. Gaetano Polidori came to London in 1790 where he taught Italian as well as translating a number of works into Italian, including Horace Walpole’s The Castle of Otranto and John Milton’s Paradise Lost. He published a number of works, including those of his grandchildren, and set up a private press in his house in London.
    This is a delightful pocket edition of Voltaire’s enlightenment tale, first published in a slightly shorter form under the title Memnon in Amsterdam, 1747, with the full text appearing in the following year under the title Zadig. Second only to Candide among Voltaire’s contes philosophiques, and based on the Persian tale The Three Princes of Serendip, Voltaire uses the oriental setting to explore religious and metaphysical orthodoxy through the moral development of the protagonist. The oriental backdrop allows for thinly disguised references to the political and social problems of contemporary France.
    The text is accompanied by a very attractive suite of thirteen aquatint plates and two vignettes drawn and engraved by Le Cœur. ‘Jolie petite édition peu commune de ce roman. Les figures existent imprimées en couleurs’ (Cohen-de Ricci).

    ESTC t178499, at BL, Cambridge, Bodleian, New York Public Library and Texas only.

    Cohen-de Ricci 1038; not in BN Voltaire Catalogue.

    View basket More details Price: £300.00